Varying these elements produces several lip designs. We must study the Cupid’s bow (1), the commissures (or where the top and bottom lips connect) (2), the philtrum (the skin connecting the nose to the mouth) (3), the central tubercles (The bottom of the lip under the cupid’s bow) (4), the upper lip (5), and the lower lip (6). In this way, we can better grasp which areas have the most volume.Īs we have seen in the mouth, there are also key elements on the lips that will help us better understand and design them. If it is difficult for us to imagine the mouth with rounded and curved structures, it is advisable to start by drawing flattened areas (as if it were low poly!). Also, keep in mind that the thickness, width, and length of the lips will depend a lot on the type of character we want to design. In this image, we can see how to draw the lips step by step using rounded, curved, and elongated structures, starting from a straight line and without perspective. To understand them, let’s try to represent them separately from the mouth and in their simplest forms. Lips are essential elements that connect to the mouth. On the left is an example of how the outlined elements that make up the mouth can be represented and on the right, is a more detailed interpretation of them.ģ. But let us focus on those three basic features. You can even go further into other elements such as the uvula, the palate, all the different teeth, the tonsils, etc.
It is a cavity, and thus it contains important elements that will help us draw the mouth: the teeth, the tongue, and even the gums. Now that we recognize that the mouth has volume, we must also take into account that it also has depth. In this example, you can see a mouth in its simplest form without perspective (image 1) and how it can be imagined with ¾ perspective (images 2 and 3). This is a simple exercise that shows that the mouth is not exclusively a straight line when it is closed and a crescent when it is open, but that it has its own volume. To understand the mouth, think about a sphere. How to draw a mouth: Simplified structuresįirst, let us analyze the mouth without the lips, to better analyze its structure. To make the following illustrations, I have used Clip Studio Paint EX, but any other drawing software can be used. Note that, in addition to this method, there are many other ways to learn how to draw mouths and lips, but I will explain the method that I have considered to be the most appropriate and easy to understand. And finally, I will integrate them into a color illustration. I will explain the simplest structures to understand how to draw different shapes and expressions. In this tutorial, I will show you the technique that I use to represent mouths and lips.
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